I have been a vegan for 10 straight solid years, admittedly in my embryonic phase as a vegan neophyte I felt my personality tapering towards some kind of a 'Muggy Vegan Ego' with overt displays of a 'Vegan Superior Logic'. As vegans we often believe that our arsenal is fully stocked with the most advanced and inexorable fact salvos detailing why veganism is the surefire path leading to the zenith of humanity, right? Or are we the lackeys of the ultra-processed food industry which has “engineered” an incalculable and never-ending amount of pro-vegan replacement products and spent billions into marketing the hell out of these products over the past few years?
I am compelled to question the political purpose of the recent Netwerk24 article 'Wit Afrikaner dra gene van slawe en Khoisan - studie' (White Afrikaners carry genes of slaves and Khoisan - study).
Ethno-nationalism between South Africa's black and coloured people, in fact ethno-nationalism between all people is growing, along with it discrimination and anti blackness that detracts from the common experience of a shared struggle.
The Storyteller of Riverlea explores renowned South African author Chris Van Wyk's influences as a poet, as political activist and writer, his family life and his battle with cancer. The Market Theatre production is a homage to his humor, political values and storytelling abilities, all of which has touched the lives of everyone who has read his works.
Van Wyk grew up in the Coloured suburb of Riverlea, south of Johannesburg, a community he was later to bring lovingly to life in Shirley, Goodness and Mercy (2004) and Eggs to Lay, Chickens to Hatch (2010). He adapted Nelson Mandela’s Long Walk to Freedom into a book for young readers and wrote a series of short biographies of liberation struggle figures for schoolchildren. A Message in the Wind, published in 1982, won the Maskew Miller Longman Award for Children’s Literature. His memoirs pay extensive tribute to the strong and resourceful women in his family and community, particularly his mother (the “Shirley” of the title) and grandmother.
Stay tuned in to EldosFM for a chance to win tickets to this great new Market Theatre production.
You can also stream from anywhere in the world via the EldosFM Website.
Van Wyk pulled no punches when it came to be castigating racial and social injustice. His writing gave an insight to the creative spirit at its most generous, capacious and exuberant.
His humor spoke of: a capacity for resilience and an irrepressible appetite for life, even in complex circumstances.
Van Wyk the Storyteller of Riverlea is directed by Christo Davids who recently wrote and directed the award-winning play My Seuns at the 2018 Aardklop Festival for which the production won Best Production, Best Director, Ground-breaking new work, Best Script and Best Supporting Actor.
Zane and Chris have collaborated on a one-man play about Chris’ childhood friend William Smith, entitled Smith 4113 after the prison number Smith was assigned while being detained for political activities in the 70's. Zane performed this production at the National Arts Festival in Grahamstown in 1986.
Zane and Christo both played Chris Van Wyk in Janice Honeyman's 2008 adaptation of Shirley, Goodness and Mercy which performed to full houses at the Market Theatre. This is the 5th time that they will be working together on stage in a partnership that spans over 12 years.
Much of Chris van Wyk may be viewed as an enactment of what Njabulo Ndebele called “the rediscovery of the ordinary”. In the ordinariness of life, he found his inspiration; but his imagination and craftsmanship transformed it into something extraordinary, even magical. “Writing a memoir,” he explains in Eggs to Lay, Chickens to Hatch, “is a little like travelling into your own past. Unlike science fiction, you can’t change the past. But, like science fiction, it does have its own magic.”
The production will be staged in the Mannie Manim Theatre from 25 January – 24 February 2019.
Written by Zane Meas
Directed by Christo Davids
Lighting Designer Thapelo Mokgosi
Set Designer Christo Davids
Costume Designer Nthabiseng Mokone
Stage Manager Bongani Motsepe
Duration: 60 minutes
Age Recommendation 10 years
Season: 25 January – 24 February 2018
Venue: Mannie Manim
Performance times: Tuesday – Saturday @20h15 and Sunday @15h15
Ticket prices: Tuesday – Sunday R90.00 - R150.00
Student Prices: R70.00
The Back 2 Basix event is a collaborative effort between Best of Ekapa Hip Hop, Triple Crown Sound System & Graffiti Artist MAK1. The event focus is on the Graffiti Artist or Spray Can Artist, there will be 5 spray can artists painting live on the day!
Something I have learned that helps me immerse myself into the full experience of watching a theatre production or a movie is to leave any and all expectations at the door. Somehow the very little I know of Langarm dancing, through once in a while having to play a few tracks of the genre when I DJ at weddings and private functions, sneaked into The Fugard with me.
Accompanied by the vivaciously scintillating Wiskunde Juffie aka Marley Rose who knows more than a thing or two about Ballroom Dancing, having at some point been an active participant in what is essentially also a very competitive sport, I was fortunate to be in the company of someone who could anchor me during the very lively and animated conversations that followed as we left the theatre and met up with members of the cast in the ground floor bar area.
As one looks onto and into the KhoiSan struggle one is torn between hope and despair as one sees how it tears itself to pieces whilst uttering noble mantras such as unity and solidarity.
The struggle whilst noble in itself is wracked by personalities, tensions, competitions and inner fights that dissipate its energies and causes it to become victim to parochialism and lose focus. It further shudders and shakes itself to competing pieces that are vitriolic and combative as opposed to complementary and this takes one back to the writings of Willie Lynch in his works “The Making of a Slave”. In it he asserts that the division and control of slaves is brought about by colour and breeding within which the woman or mother plays a central role in imprinting the young slave into submissiveness and fear of the slavemaster whilst being aggressive and domineering to other slaves. And this is further articulated by Frantz Fanon in his work “Black Skins White Masks” as well as in the “Wretched of the Earth”.
Hip Hop is Nou Nog Groter by kykNET Ghoema 2019 Toekennings - Ons Probeer Vrae en Kwelpunte Hier BeantwoordWritten by Ryan Swano
Ek gaan nie stry nie... Aan die begin was ons ook maar skepties en versigtig en ja...
Vandat ons hier by Bruinou.com insae het by die kykNET Ghoema musiektoekennings se Hip Hop kategorie was daar maar nog altyd baie van ons in die Hip-Hop-gemeenskap wat die hele saak en die organiseerders se motiewe bevraagteken en skepties aanskou het...
In hierdie artikel pak ons so 'n paar kwelpunte aan en hopelik kan ons aan belangstelendes so 'n bietjie insig gee.
Langarm known to the rest of the world as Ballroom dancing is and has for a long time not only been a cultural phenomenon particularly in Coloured communities in the Western Cape but has always been and remains to be a highly competitive sport across South Africa.
Like any cultural and sporting activity, Langarm dancing was racially segragated during the Apartheid era and dancing across the racial divide was a criminal offense.
Be warned... Seeing the cinematic depiction of the Ellen Pakkies story will not allow you to simply just go on with your life.
It’s Meant to Change You.
Ok we have to admit that before Raven Klaasen reached the 2018 Wimbledon Doubles Final we at Bruinou.com had no clue who he is so we're not gonna tell you that glitter-sprinkled lie that claims we were behind him all the way.
Of course the fact that there is a bruinou making an international name for himself and earning great money playing tennis grabbed our attention, so we just had to find out more about him.