Something I have learned that helps me immerse myself into the full experience of watching a theatre production or a movie is to leave any and all expectations at the door. Somehow the very little I know of Langarm dancing, through once in a while having to play a few tracks of the genre when I DJ at weddings and private functions, sneaked into The Fugard with me.
Accompanied by the vivaciously scintillating Wiskunde Juffie aka Marley Rose who knows more than a thing or two about Ballroom Dancing, having at some point been an active participant in what is essentially also a very competitive sport, I was fortunate to be in the company of someone who could anchor me during the very lively and animated conversations that followed as we left the theatre and met up with members of the cast in the ground floor bar area.
As one looks onto and into the KhoiSan struggle one is torn between hope and despair as one sees how it tears itself to pieces whilst uttering noble mantras such as unity and solidarity.
The struggle whilst noble in itself is wracked by personalities, tensions, competitions and inner fights that dissipate its energies and causes it to become victim to parochialism and lose focus. It further shudders and shakes itself to competing pieces that are vitriolic and combative as opposed to complementary and this takes one back to the writings of Willie Lynch in his works “The Making of a Slave”. In it he asserts that the division and control of slaves is brought about by colour and breeding within which the woman or mother plays a central role in imprinting the young slave into submissiveness and fear of the slavemaster whilst being aggressive and domineering to other slaves. And this is further articulated by Frantz Fanon in his work “Black Skins White Masks” as well as in the “Wretched of the Earth”.
Hip Hop is Nou Nog Groter by kykNET Ghoema 2019 Toekennings - Ons Probeer Vrae en Kwelpunte Hier BeantwoordWritten by Ryan Swano
Ek gaan nie stry nie... Aan die begin was ons ook maar skepties en versigtig en ja...
Vandat ons hier by Bruinou.com insae het by die kykNET Ghoema musiektoekennings se Hip Hop kategorie was daar maar nog altyd baie van ons in die Hip-Hop-gemeenskap wat die hele saak en die organiseerders se motiewe bevraagteken en skepties aanskou het...
In hierdie artikel pak ons so 'n paar kwelpunte aan en hopelik kan ons aan belangstelendes so 'n bietjie insig gee.
Langarm known to the rest of the world as Ballroom dancing is and has for a long time not only been a cultural phenomenon particularly in Coloured communities in the Western Cape but has always been and remains to be a highly competitive sport across South Africa.
Like any cultural and sporting activity, Langarm dancing was racially segragated during the Apartheid era and dancing across the racial divide was a criminal offense.
Be warned... Seeing the cinematic depiction of the Ellen Pakkies story will not allow you to simply just go on with your life.
It’s Meant to Change You.
Ok we have to admit that before Raven Klaasen reached the 2018 Wimbledon Doubles Final we at Bruinou.com had no clue who he is so we're not gonna tell you that glitter-sprinkled lie that claims we were behind him all the way.
Of course the fact that there is a bruinou making an international name for himself and earning great money playing tennis grabbed our attention, so we just had to find out more about him.
Cape Town’s largest social housing project, Steen Villa which has 700 Units, developed by SOHCO Property Investments, a Social Housing NGO on land leased from the City of Cape Town for R150 per annum.